FIG LEAF PATTERNS
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    • 222 Blue Silk Crepe Dress, c.1818
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    • 201 Day Dress, 1856-1862
    • 202: Day Dress with Yoke. 1856-1862
    • 204 Cage Crinoline Booklet
    • 209 Corded Crinoline, c. 1845-1860
    • 249 Bodice & Skirt Ensemble, c. 1840-1860s
    • 254 Sheer Bodice
    • 256 Mid 19th C Arrons
    • 285 Drawstring Skirt, c. 1885
    • kf601 Paletot, c 1860-1867
    • KF611 Wrapper or Morning Gown
    • kf631 Ball Gown Bodice, c.1862-1863
    • kfII: 60.12 Negligee Cap
    • KFII:262.06A Ladies' Jacket, 1862
    • KFII: 651-A collars & cuffs
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    • kfII: 6060A Winter Hood
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  • Stays & Corsets
    • 1000 Brask Busk for Stays & Corsets
    • 1002 Bone Eyelets for Stays & Corsets
    • 228 Underbust Stays
    • 207 Princess Seam Soft Corset 1810-1830
  • Mens Wear
    • 401: Men's Breeches, c.1770s
    • 501 Peachtree Merchantile: Overcoat
    • 502 Peachtree Merchantile: Confederate Trousers, c1863-65
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    • 502 Peachtree Merchantile Confederate Trousers, c1863-65
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  • 227 Bib Front Dress, c. 1798-1805
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KayFig Patterns 601, Paletot c. 1860-1867, S M L

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Paletots of many interesting designs can be found in mid 19th century fashion magazines: The term was used for men's and women's garments. For men there was a "body paletot", or an over coat version, for women or children the term always describes some kind of overcoat or jacket. 

  While the actual designs can differ greatly, it becomes apparent, that a paletot describes a garment that is lightly or half-fitted to the figure, does not have a seam at the waist in the front, and very rarely in the back, is buttoned, and has a simple coat sleeve. They are also frequently unlined. These observations are valid for men's or women's paletots.

  The jacket which served as the base for this pattern is such a paletot. It is made from black wool barathea, a tightly woven wool with a hopsack twill weave, and unlined.

Fig Leaf Patterns® and Originals by Kay have joined together to create a line of patterns for the living history and reenactor market. These patterns are designed to fit the modern figure while creating the period look and proportions. These patterns are based on extant garments and emphasize commonalities rather than idiosyncrasies of one specific garment. Instead of one base size which is then mathematically graded for the other sizes, each size has its own block derived from actual people. This approach to creating a pattern is similar in the manner of how patterns were developed in the 19th century. 

   The sewing instructions are succinct and take into account modern machinery while maintaining basic period construction.

KayFig Patterns 601, Paletot c. 1860-1867, L XXl XXL

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KayFigII: Research Patterns 601, Lady's Paletot, 1860-1867, original size only

$20.00
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Original Size only, somewhere between a 4 and 6. For sized patterns see KayFig Pattern 601, Sizes 8 to 18 or Sizes 18 to 28. Includes complete sewing instructions.

 

Paletots of many interesting designs can be found in mid 19th century fashion magazines: The term was used for men's and women's garments. For men there was a "body paletot", or an over coat version, for women or children the term always describes some kind of overcoat or jacket. 

  While the actual designs can differ greatly, it becomes apparent, that a paletot describes a garment that is lightly or half-fitted to the figure, does not have a seam at the waist in the front, and very rarely in the back, is buttoned, and has a simple coat sleeve. They are also frequently unlined. These observations are valid for men's or women's paletots.

  The jacket is such a paletot. It is made from black wool barathea, a tightly woven wool with a hopsack twill weave, and unlined.


Fig Leaf Patterns® and Originals by Kay have joined together to create a line of patterns for the living history and reenactor market. These patterns are designed to fit the modern figure while creating the period look and proportions. These patterns are based on extant garments and emphasize commonalities rather than idiosyncrasies of one specific garment. Instead of one base size which is then mathematically graded for the other sizes, each size has its own block derived from actual people. This approach to creating a pattern is similar in the manner of how patterns were developed in the 19th century. 

   The sewing instructions are succinct and take into account modern machinery while maintaining basic period construction.

Mackenzie Sholtz
Dancing Leaf Designs, Inc.
302 W. Calhoun St. 
Sumter, SC 29150
803-720-1205
figleafpatterns@gmail.com
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